About

Fearless.
Stefanny Jankenopon, curator, Amaterazu, Jakarta, Indonesia

What she illustrates determines how she does it. (...)
An avid analyst of human relations.
Malgorzata Sidor, curator, fabs, Warsaw, Poland

with a child-like faith in her ideals, she lets reality touch her to the bone.
She reacts in images that scream with meaning.
Tomek Sikora, photographer and art educator, Warsaw, Poland

a remarkably original take on femininity and a talent in making it speak
through photography. The meaning of the images is striking.
Julian Haponiuk, photo critic, Photocourrier, Warsaw, Poland

[ in the 9th Sharjah Biennial] One of the sprawling exhibition's most ambitious works

is Man to Man by the Polish artist Agnes Janich. (...)

This extremely claustrophobic work is a comment about prisons and enslavement.
Oliver Good, art critic, The National/UAE, UAE,

[ Agnes Janich's Man To Man film labyrinth ]evokes the extent to which

an almost complete state control of media and culture stifles humanity's potential.

This exhibit challenges people to open their eyes to everything around them.
Silas Marti, art critic, L Feulha de Sao Paulo, Sao Paulo,

a vague and oppressive labyrinth of the young Polish artist Agnes Janich (...),

Man To Man, evokes the Auschwitz dog kennels. The corridor walls get closer and closer

as if trying to smother you, while, in year head, you hear your own heavy breathing.
LeMonde.Fr

The Divine? project is composed of eleven prints.
Eleven exclamation marks made of toys.
Jena Opoldusova, art critic, Pravda, Bratislava, Slovakia

she tackled history, in particular the Holocaust. She tried to understand the difference

between writing memory in Poland, where the survivors never cease to talk, and that in the US,

where they more often remain silent. She visited over a dozen concentration camps,

interviewed tens of survivors and searched through archives.

Projects from that time are now being shown all over the world.

Aleksandra Slabisz, art critic, Nowy Dziennik, New York, NY

Janich said that each bush is of the same color since she does not want to bring attention

to the victims being Polish, Jewish or otherwise. What matters for her is that they were people.

Marek Szafranski, culture critic, Polish Press Agency, Gazeta Wyborcza ( Polish daily ),

Onet.pl ( leading Polish news portal )

a remarkably intense body of work with an excepional aura.
Seemingly surreal, yet about reality.
Monika Malkowska, art critic, Rzeczpospolita, Poland

Agnieszka Janich is only 22 [ now 23 ] years old and a citizen of the world.
She was able to create an incomparable moment
and a space for true human contact.
Melanie Kolbrunner, art critic, Landbote, Switzerland

(...) she deals with violence in war, everyday life and love with a unique, child-like sensibility.