• In its simplicity the installation goes under the skin.
Der Standard Editor, Der Standard, Vienna, Austria
• Fearless.
Stefanny Jankenopon, curator, Amaterazu, Jakarta, Indonesia
• with a child-like faith in her ideals, she lets reality touch her to the bone. She reacts in images that scream with meaning.
Tomek Sikora, photographer and art educator, Warsaw, Poland
• a remarkably original take on femininity and a talent in making it speak through photography. The meaning of the images is striking.
Julian Haponiuk, photo critic, photocourrier, Warsaw, Poland
• The Divine? project is composed of eleven prints. Eleven exclamation marks made of toys.
Jena Opoldusova, art critic, Pravda, Bratislava, Slovakia
• a remarkably intense body of work with an exceptional aura. Seemingly surreal, yet about reality.
Monika Malkowska, art critic, Rzeczpospolita, Warsaw, Poland
• this unique project is not just an arts event
Karolina Murzic, art critic, Lodz, Poland
• Janich is only 22 [ now 25 ] years old and a citizen of the world. She was able to create an incomparable moment and a space for true human contact.
Melanie Kolbrunner, art critic, Landbote, Zurich, Switzerland
• The piece enriches spiritually, giving us a sense of a deep social bond and a gratitude for participation.
Monika Bernacka, culture critic, OS, Auschwitz, Poland
• This exhibit challenges people to open their eyes to everything around them.
Silas Marti, art critic, La Fuelha de Sao Paulo, Sao Paulo, Brasil
• Fear turning into empathy and dismay - these are the feelings which Agnes Janich provokes without moralizing about looking and overcoming the past.
Falter Editor, Falter, Vienna
• One of the sprawling exhibition’s most ambitious works is Man to Man by the Polish artist Agnes Janich.
Oliver Good, art critic, The National, Dubai, UAE
• the work (...) draws attention to individual pain
Dorota Lagodzka, art critic, Obieg, Warsaw, Poland
• What she illustrates determines how she does it. (...) An avid analyst of human relations.
Malgorzata Sidor, curator, fabs, Warsaw, Poland
• The corridor walls get closer and closer as if trying to smother you, while, in year head, you hear your own heavy breathing.
LeMonde.Fr
• The effect is mind-boggling. Passers-by stop and exchange remarks on the piece. Memory is coming back.
Marta Pietrasik, art critic, Gazeta Wyborcza, Lodz, Poland